Malayalam Film ‘Moonwalk’ Highlights Thiruvananthapuram’s Iconic Breakdance Academy, Footloosers

speedy Summary

• Santhosh Kumar (Babu Footloosers, 58) and sajeesh Kumar (53), founders of Footloosers dance academy, performed breakdance on Manaveeyam Veedhi, alongside their students.
• Footloosers gained prominence in Thiruvananthapuram during the late ’80s as pioneers of breakdance.Their journey was recently spotlighted by the OTT film Moonwalk, which explores Kerala’s breakdancing subculture.
• The group began after learning steps from video cassettes featuring US street dance groups, practicing behind Arts College before evolving into an academy with affordable classes for aspiring dancers.
• They set fashion trends in their era with hairstyles inspired by celebrities and bold outfits sourced locally from Spencer Junction. by incorporating acrobatics into routines,they claimed a unique identity over competing troupes like Kochi’s flashy dancers.
• Babu had experience choreographing for films and acting while Sajeesh earned recognition thru competitions-including first place at a state-level event-and global tours like a UK stint with Attakkalari in 1997-98.
• Despite injuries and fading personal activity post-2000s/2010s respectively, the duo or their students still conduct classes at renovated studios across Kerala and West Asia; sixth-generation learners are now part of their legacy.
• in recent years Babu went viral performing alongside johnson master-a fellow pioneer-on social media courtesy of KL7Gary YouTube channel; they garnered recognition from Bollywood choreographers among others.
• They note waning interest amongst today’s youth in authentic breakdancing styles compared to rhythm-based steps but aim to organize events to revive its appeal.

Images:
1) !1200/NH06Footlosers07.JPG”>Santhosh Kumar & Sajeesh

3) !mS”>Video link 1, Video link 2.

Indian Opinion Analysis

The resurgence of attention toward Kerala’s breakdancing pioneers through performances and media representations like Moonwalk highlights a layered artistic history that is rooted beyond just entertainment-it embodies resilience amid resource scarcity during its formative days in the ’80s/’90s pre-digital era.

Footloosers’ ability to innovate-such as incorporating martial arts stunts or creating signature moves-speaks volumes about grassroots creativity flourishing far removed from mainstream urban hubs globally known for such scenes (e.g.,New york). this reflects how art frequently enough adapts locally yet is part of broader cultural paradigms influencing generations worldwide.

their revived presence signals timely acknowledgment amidst concerns voiced about waning pure-style interests within modern formats transitioned heavily via dances simplified primarily catering digitized consumption platforms online competitiveness sometimes prioritizing visibility instant hits short-term traction focus generational unity missing overhead foundational contextual layers rightly sought veteran performers reflective nostalgia perhaps holistic ecosystem plans stronger futures organized revivals societal resonance decisions imperative-read-lasting effects momentum witness observational neutral pillars exploratory encouragement exklusiv underway India directed coherence professionalism nuanced opportunities spheres stages gradual sustainable uplifting endeavors connectivity dynastic rightful-input rollout expanding simultaneously occurring transitions keep engaging valeurs revitalizations feasible organiccommunity-driven starts intersections stories suggesting further-filter ringing-authentic approachable priorities amplifying-versatile continued flowpaces