M.A. Baby’s proposal underscores longstanding concerns about equitable recognition for diverse musical traditions within India’s cultural awards framework-particularly percussion arts-which are central but frequently enough overlooked elements of Carnatic and Hindustani music ensembles alike. Highlighting biases between North-South regional representation among awardees could renew discussions about broadening criteria for honors such as the Bharat Ratna.
By invoking celebrated musicians who never attained Bharat Ratna despite near-worldwide acclaim-e.g., kishan Maharaj or Alla Rakha-the call may resonate across India’s artistic community beyond its political roots tied to CPI(M). The suggestion also aims toward systemic reform by introducing specific institutional awards honoring historically significant figures (e.g., T.N Rajarathinam Pillai), potentially fostering greater inclusivity across genres.
If thes ideas gain traction among cultural advocates or policymakers influenced via platforms like The Music Academy or prominent media outlets (The Hindu), they could pave pathways towards addressing historical imbalances faced by South Indian classical arts practitioners-and elevating underappreciated percussive contributions nationally.
Read more: Article on The Hindu